PROPAGANDA
ongoing
are audiovisual live-performances an collaboration with Nik Nowak. They deal with topics of sonic warfare, propaganda and the psychology of sound.
PROPAGANDA
ongoing
are audiovisual live-performances an collaboration with Nik Nowak. They deal with topics of sonic warfare, propaganda and the psychology of sound.
THE KNIFE
2017
knife, wood, steel, electrical-components
120 x 30 x 30 cm
THE MOSH
version 1 2010
video-loop | 3:33 min.
version 2 2016
video-loop | 2:42 min.
„The Mosh documents a form of ritualized aggression. The camera takes the position of the singer and looks into the crowd. The individual dissolves into a sea of people.
FLIPPING THE COIN COVER ARTWORK
Martin Eder – Touch the Sun
Satch Hoyt – Afro Sonic Signifier
Nik Nowak & Gabriel Rossell Santillán – Encarnita Propia
NEGATIVE ANTI SOL
2014
300 cm 300 cm 300 cm | wood | LED-Stripes | lacquer
Negative Anti Sol destroys perception, overloads the senses. It‘s a space pod that pierces its structure into the interior of the observer‘s eyes, strikes lightning onto the retina und burns itself in as an afterimage. The stroboscopic phantom images freeze fractional moments in time, blur what was clear and eventually make it disappear in a perceptional vortex.
Negative Anti Sol contains a dual transformation, a repeated negation. The installation cites Moritz Stumm‘s own work Anti Sol (2011), which itself refers to the Cube sculptures by Sol LeWitt. The process of inversion – negating the „Anti“ version of LeWitt‘s sculpture – creates a cube that‘s secluded from its exterior surroundings with a walk-in accessible interior. Once inside, you enter an alien reality, in which the laws of time and space are broken. Where light escapes to the outside through the grid-like structure of the sculpture Anti Sol, the same structure permits light to enter the interior of Negative Anti Sol. Where Anti Sol extends its form into its surroundings, Negative Anti Sol projects its pattern into the interior of the observers mind.
The dimensions of space in relation to the human form are a crucial element of this work as well. The somewhat confined dimensions of the interior induce a direct enclosure by the structural grid; it even seems to physically engulf the bodies of visitors inside this alien space capsule. As well as referring to the sculptures of Sol LeWitt and Stumm‘s own work, Negative Anti Sol also cites impressions from popular culture and science fiction. Among other things, it suggests the Holodeck from Star Trek, images from Tron, and various techno music album covers from the early 90s era.
THE REVENGE OF THE KINDERGEBURTSTAG
2010
mirrored animal skull
13 x 18,5 x 35 cm
NATURAL HALLUCINOGEN
2010
wall drawing, size variable
NOVA MONDO
2010